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Fifty-Two Ways to Love Your Waterman

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The L. E. Waterman Company didn’t invent the lever-filling fountain pen; that honor goes to Walter Sheaffer. But Waterman’s pens were, and remain, very popular. Among the most popular, partly because of the great number of these pens still to be found in usable condition, is the famed Ideal Nº 52. Beginning its life in 1917 as a hard-rubber (Ebonite) model, the 52 was produced in many variations: with and without clip, chased or plain, black or red rippled. In the 1930s, it shrank a little, and when Waterman finally gave into progress and started making celluloid pens, the venerable 52 even crossed that hurdle.

My BCHR 52 has an amazingly smooth medium Nº 2 flexible nib. (The CLIP-CAP imprint on the clip says the pen was made before 1927, but that’s as close as I can date this pen — or most other Waterman pens.) It is 5⁷/16" capped, 6¹¹/16" posted. Its near twin, a BHR pen fitted with an “incorrect” Nº 2A medium nib from the 1940s, is 5⁷/16" capped, 6²³/32" posted.

Different trim levels and styles appeal to different people. Among the most interesting of Waterman’s hard-rubber variations is rippled hard rubber, introduced in 1926 and a Waterman exclusive during the Golden age. A little newer than the pens above, my first Red Rippled Hard Rubber (RRHR) Nº 01852 features a semiflexible extra-fine nib, and it is 5¹³/32" capped, 6²¹/32" posted. My late-model RRHR Nº 52, which does not fit into the Standard Numbering System because of its nickel-plated furniture, has a semiflexible fine nib and is 4²³/32" capped, 6⁵/16" posted.

To my eye, the most beautiful of all the 52 variants is this pre-1924 Nº 452, with its filigreed sterling overlay. At 5³/8" capped, 6½" posted, my 452 features a factory original double-broad stub that I’ve adjusted to be super wet. This pen, incidentally, is the one that created the handwritten text on our Welcome page.

Waterman’s numbering system allowed for a variety of pens bearing related numbers. Next is a ring-top Ideal Nº 0552½V. This pen, although markedly different from the 52 above, is an x52 because it is a lever filler with a Nº 2 nib (in this case, a sweet flexible stub). The 05 portion of the number indicates a gold-filled overlay. The ½ says the pen is thinner than a standard model, and the V says it's shorter (a vest-pocket model). Including its ring mount, it is 3¹³/16" capped and 5¹/32" posted.

Another charming variant is this ring-top RRHR Ideal Nº 01852V, shorter than the standard but just as thick. With its very sweet Nº 2 flexible stub, this pen is really a pleasure to use — posted, that is, so that it’s 5-27/32" long. Capped, it’s 4¹⁷/32" in length.

One of the less common Waterman color/trim varieties, because without any added carbon in the mix it is much less durable than black, is plain red hard rubber. I’m fortunate to have this ring-top Ideal Nº 01852½V. This Waterman also has a lovely Nº 2 flexible stub, and I find it remarkably enjoyable to use despite its small size of 4¹⁵/32" capped and 5¾" posted.

Below is my “last” 52; I call it that because it is a very late representative of the venerable model. Waterman resisted the changeover to celluloid that began in the mid-1920s, and it toook until 1934 to switch the 52 to the newer material. When they finally got around to it, this slightly updated pen (at 5¹/16" capped and 6¼" posted, a little smaller than earlier pens) was the result. The more modern design is reflected in the streamlined furniture and the tapering of the ends, but the pen still retains the “classic” flat ends.

My “last” 52, above, is not my last 52. A very good friend brought me the one below, a pedestrian BCHR model, at the Philadelphia Pen Show in 2008. What’s so special about it? Oh, nothing. Except the magical artist’s nib, otherwise known as a wet-noodle needlepoint. This is a pen to die for, as they say; but I’m lucky enough that I stayed alive for this one.

The First Successful Self-Filler

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Roy Conklin invented his self-filling pen in 1897. Patented four years later in 1901, Conklin’s Crescent-Filler heralded a new era of convenience.

My Crescent-Filler No. 30 was made, as best I can determine, around 1920. It writes beautifully with its flexible No. 3 nib. It’s 5³/8" capped, 6¾" posted. Conklin seems to have had problems keeping a given model number assigned to one particular kind of pen — any other No. 30 might differ from this one by lacking a clip or possessing a cap band or other trim, or even in size.

My next Crescent-Filler is a ring-top model (what Conklin called a Chatelaine Tip). It was probably made in about 1925, and is probably a No. 24S. I particularly like this chasing pattern. With its flexible No. 2 fine nib, it writes quite nicely. It’s quite small, at 4¼" capped and 5⁷/16" posted.

Introduced in 1924, the flat-top Sheaffer’s Lifetime, with its distinctive White Dot and “jade” color, was not the first celluloid pen but does claim the honor of having been the first to succeed widely in the marketplace thanks to Sheaffer’s size and clout. The green celluoid plastic, which Sheaffer called Radite, has a great tendency to turn brown with age, and I consider myself very fortunate to have found this oversize Model J8C flat-top, with its spectacularly good color. 5¼" capped and 6⁵/8" posted, it’s a great fit.

After it became clear that Radite pens were the way of the future, Sheaffer began transitioning its non-Lifetime models to celluloid as well. The pen here, a 5-30, was actually built as a service pen (loaner); and, because it wasn’t going to be sold commercially, it was fitted with the somewhat smaller nib and feed from a 3-25. (The nib is a general-purpose Fine.) Both the cap and the barrel of this pen are engraved to indicate its status as a service pen. At 5¼" capped and 6¹¹/32" posted, it’s is the same basic length as the Lifetime pen above, but it’s much thinner — and, with its 3-25 nib, it’s significantly shorter when posted.

The ’40s: Streamlined

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During the late 1930s and early 1940s, futuristic streamlining was all the rage. In the pen world, that school of design is exemplified by the Eversharp Skyline. Designed by Henry Dreyfuss (who also designed the streamlined steam locomotives that pulled the New York Central’s famed 20th Century Limited), the Skyline was the most successful of all the Eversharps, and an excellent pen. It was manufactured from 1941 to 1948 in several materials, including all-plastic, metal-capped, and solid precious metals.

My first Skyline is a Standard with a Dubonnet Red plastic barrel and a ribbed 14K gold-filled cap. It measures 5¼" capped, 5⁷/8" posted; and it writes like a dream with a very wet flexible medium nib.

Next is another Dubonnet Red Standard, this one topped with a green/blue striated cap. This pen is relatively early production, and it is made entirely of celluloid and fitted with a long-V-style pressure bar. It measures 5⁹/32" capped, 5¹³/16" posted, and with its very firm XXF nib it would be ideal for the “accountant” in me.

My Garnet Modern Stripe Standard, 5⁵/32" capped and 5⁹/16" posted, has a medium manifold nib.

My Green Modern Stripe Standard Skyline, with a cap sporting a gold-filled derby, has a delightful flexible fine nib, and it's 5⁷/32" capped and 5²⁵/32" posted. I’ve decided to start including matching pencils with their pens, and this pen has a mate that’s 5¼" long.

The Skyline was also made in a reduced-trim version called the Thrift, without the Double Checked warranty mark and with a clip that did not wrap over the derby. This is my fifth Skyline, a Silver Gray pen with a lovely fine flex nib. It’s 4²⁵/32" capped, 5¹/8" posted.

Apparently, Eversharp wanted to hold onto the rights to the WAHL trademark. In order to do that, a company must actually use the trademark in question, and to that end Eversharp produced some number of Skylines with a WAHL imprint and the letter W on the clip instead of the usual EVERSHARP name and the Double-Checked logo. My WAHL Skyline has a fine flex nib. It’s 5¼" capped, 5½" posted.

© 2008 Richard F. Binder

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