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PFM: The Pen For Men

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Sheaffer’s PFM, introduced in 1959, was a major departure from the ordinary business of making pens. It used Sheaffer’s reliable Snorkel filling system, and its distinctive, bold masculine design should have been a great hit. It wasn’t. The model was discontinued after only four years. The pity of that fact is that the PFM is widely considered today to be one of the best fountain pens ever designed. But although the PFM itself didn't last, the design innovations it carried did last. Sheaffer continues today to sell pens with the remarkable Inlaid Nib, and until very recently marketed an inexpensive line called the Triumph Imperial, which was essentially identical in design to the cartridge/converter Imperial of the 1960s. The pen here, with gold nib and gold-filled cap, is a PFM V; other PFM models featured stainless steel or plastic caps, some with chrome trin and palladium-silver nibs. This pen is 5³/8" capped and 5⁵/8" posted. Its medium/fine nib writes marvelously.

Although Waterman’s rippled hard rubber is probably better known than the earlier woodgrain, there was a period of about three years (1923-1925) when woodgrain reigned supreme in the Waterman stable, and my Waterman’s Ideal Nº 01856 hails from that period. This pen came from Howard Levy, president of the Bexley Pen Company, who brought it to me at a show and said that it needed to be mine. He was right. It’s the biggest Waterman I own at 5²¹/32" capped and 7¹/4" posted — I don’t typically post pens anyway, so it’s not too gigantic to use. And the nib, oh, the nib. It’s a wet-noodle left-foot oblique stub that does wonderful things without my even having to work at it. Just think it, and it’s there. Nice!

Right after World War II, Sheaffer introduced a new and very practical design that featured a “wire” cap band placed right at the cap’s lip, to prevent the plastic from splitting when the cap was posted. The pens below are of this design, which is commonly but erroneously called the “Craftsman.” (The name “Craftsman” was actually applied over the years to many different economy-priced pens rather than to the “wire band” design.)

The upper pen, an actual Craftsman from the Touchdown era, is 5¹/8" capped and 5³¹/32" posted. As did many of Sheaffer’s lower-priced models, this pen has a traditional open nib, a smooth firm Fine. (This nib, a Nº 33, is one identifying mark of a true Craftsman.)

The same basic design was also produced as a Lifetime model, as illustrated by the Triumph-nibbed lower pen, a Sovereign II, which is 5” capped and 5¹³/16" posted. The pens here are both lever fillers; but these models were also available with the Vacuum-Fil system.

“Big Red”: the Famous Parker Duofold

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In 1921, the Parker Pen Company took a risk by introducing a new pen based on the design of the company’s successful Jack-Knife Safety pen. The new model, proposed by a Parker branch manager named Lewis M. Tebbel, was the Parker Duofold. It was identical to the oversize Jack-Knife Safety Nº 26, but it wasn’t the ordinary black. It was red. It was seriously red. It was priced at $7.00, a dollar more than the Jack-Knife Safety Nº 26. Tebbel insisted that the Duofold would sell, but very few in Janesville were optimistic — until sales took off like a rocket.

I resisted acquiring more than a single specimen Duofold for several years, but as I learn more about this remarkable pen I’m looking around to find a few more. The first Duofold shown here was made in about 1924, and it is made of the bright red hard rubber whose color Parker dubbed Chinese Red. It is 5⁹/16" capped and 6²⁹/32" posted. Its factory original stub nib writes very smoothly.

Although its dual-purpose use didn’t give rise to the Duofold name, it is nonetheless interesting to see a Big Red fitted out with the desk taper Parker made for it. In this configuration, my 1926 Permanite Duofold is 8³/32" long. Below the pen is a Duofold desk base I found at a flea market (not photographed to scale with the pen):

Today, pen makers don’t seem to produce pens of a given design sensibility in variants designated specifically for men and women, but during the Golden Age this sort of gender differentiation was the rule. Parker’s best known venture in this vein was the variety that appeared in the Duofold line. My Lady Duofold was made in about 1926, and it is 4⁵/8" capped and 5¹⁹/32" posted. Because of its size, it’s not a pen I expect to carry much; but it’s a nice pen nevertheless. Its Deluxe-style broad cap band adds a distinct flash of bling while at the same time providing the extra strength that is so very important to keep the cap lip from splitting when the pen is posted.

Big guys deserve little brothers. The Duofold Jr. was the Big Red’s smaller sibling. My Little Red was made in about 1924, and it is 4¹⁹/32" capped and 5²⁹/32" posted. The Duofold Jr. is actually a delightful pen to carry; it’s not so outsize as its Big Red brother, but it still has that Duofold cachet. My pen is orange hard rubber, the lightest of the colors that Parker used before switching to Permanite.

In 1929, Parker restyled the Duofold slightly, streamlining it without changing the basic design. As the 1930s progressed, the new Duofold received slight changes, most notably a new Arrow nib and comb feed like those of the Vacumatic. At 5³/16" capped and 6¹⁵/32" posted, the Streamlined Duofold is a little shorter, but no thinner, than its predecessor. My pen has a smooth fine 10-feather Arrow nib. I don’t know in what year it was made, but I think it likely that the nib and feed were fitted sometime after the pen was originally made. This, by the way, is the version of the Duofold after which Parker patterned its nostalgic 1970s recreation, the “Big Red.”

© 2008 Richard F. Binder

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