Pens on this page are part of my personal collection and are not for sale. If there is a magnifying-glass symbol () next to a pen, click the magnifying glass to view a zoomed version for more detail.

Knocking the Cost Down

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The Parker “51” introduced the world to hooded nibs, and pen makers jumped on the bandwagon in a hurry. Virtually all of the copies had ordinary nibs and feeds that were just shrouded in nonfunctional hoods. Parker itself, in 1948, joined its competition in making a pen like this, with the introduction of the “21”. This pen, as a low-cost alternative to the “51”, went over very well. With a steel nib that Parker called Osmiridium, rerlecting the eight metal elements used in it, the “21” used a squeeze-filling design that looks like Parker’s Aero-metric filling system but lacks the full-length breather tube, and its clutchless cap relied on friction with the bulges on a barrel ring that was made slightly triangular.

My red “21” Mark I is 5¹/4" capped and 5³/4" posted. Its brushed stainless steel cap has a “Ridge” clip, the first of at least four different clip designs Parker used on the “21” while it was in production.

Next is a Forest Green Mark II, 5¹/4" capped and 5³/4" posted. This pen’s clip is the concave “Trough,” designed by Nolan Rhodes, that also appeared on the Parker Jotter in its first year of production.

Parker jumped into the 1970s with both feet, making a dramatic splash with the T-1. Fashioned of titanium, the T-1 was a sleek, unbroken expanse of metal, with its nib made integrally as part of the section. Designed as a tribute to the manned space program of the U.S.A., it was expensive, costing more to produce than it was sold for. Pretty but not a particularly good writing instrument, it was made in very small quantities and was withdrawn in 1971. But in 1977 Parker tried again, this time with a very good stainless steel pen called the Falcon 50. Produced in several different finishes, the Falcon 50 lasted until 1983.

My first Falcon 50 is a prototype, the only one made in this particular pattern, and it is 5⁵/32" capped, 5½" posted. Its smooth medium tip is remarkable.

I keep telling myself I don’t need yet another Flighter, but then I see a pen like this one. It’s 5¹/8" capped, 5¹⁵/32" posted, and it’s another lovely smooth medium-nibbed marvel.

Most of the first-tier manufacturers during the 1930s made pens that are obviously not of first-tier quality. Sheaffer had its Craig brand, while Wahl-Eversharp and Conklin produced models called the Oxford and Glider, respectively. Parker produced several lesser pens, including the Parkette and Parkette Deluxe. Parkettes were Parker’s bargain-basement series, and they were Parker’s only lever fillers. It’s not impossible that Parker saw in this design an opportunity to “dis” the competition; Sheaffer featured lever fillers across its line, and Parker may have used the Parkettes as a subtle way of saying that Sheaffer was being cheap.

The red-veined 1930s Art Deco pen here, with its stepped black ends, is somewhat uncommon. Also, despite its bottom-tier designation, it is a pen of top-shelf quality, excepting only the steel nib and the gold-plated, not gold-filled, furniture. The Television section’s black portion is a hard rubber sleeve over the clear celluloid core. This pen is average in size, 4⁷/8" capped, and 5³/4" posted.

The design of the Parkette changed periodically; the next pen is more representative of the vast majority of Parkettes. This marbled green specimen also has gold-plated furniture, but its fine nib is 14K gold. At 4³/4" capped, and 5⁵/8" posted, this 1935 pen is just a tad smaller than the undated specimen above.

Along with the regular Parkette, Parker made a model called the Parkette Deluxe. Most Parkette Deluxes are fluted, with a “step” clip and triple band similar to the style of the Royal Challenger; but the pen shown here is very different: round, with an almost teardrop-shaped clip and a stacked-coin band. This 1938-dated pen also features the high-quality two-part section that my first Parkette above bears. It is 5¹/16" capped and 5⁷/8" posted, and it has a smooth two-tone 14K fine nib.

This red marbled Parkette Deluxe represents the more usual fluted variety. It’s 5" capped and 5¹⁵/16" posted, and its smooth plain gold 14K fine nib writes really well.

The original Parkettes didn’t make it out of the 1930s. But Parker tried again; in 1950, a new Parkette appeared, obviously designed to cash in on the popularity of the “51” and “21” with their hooded nibs. Priced, as before, at the bottom of the company’s line, the new Parkette is an example of how to take something very simple (a lever filler) and overcomplicate it — the internals of this pen must be seen to be believed. Like the “21” Mark I, this Parkette has a gap between the upper side of the nib and the shell, enough that I can extract a delightful bit of elegant flex from the nib. The nib is otherwise a quite ordinary steel one, and the shell is cut away underneath to expose the feed for more than ½". This pen is similar in size to a “51”, 5¹⁵/32" capped, and 5³/4" posted. It is date-coded for the first quarter of 1950.

Flip-Flop. Pick a Side, and Write on It

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During the Golden Age of fountain pens, some manufacturers (notably Parker and Sheaffer), finished their nibs so that the writer could flip the pen over and write with a finer line on the “back” side. As the pace of life picked up, and carbon paper became more commonplace, these reversible nibs gradually disappeared from the market. In 1979, the concept appeared once again, as Parker introduced its radical 180. The 180, which Parker marketed as a ladies’ pen, uses a spear-straight nib, reinforced on the side opposite the feed, and it writes very well if maintained properly.

My first 180, a gold-plated pen in the guilloché finish called écorce (French for tree bark), is a smallish pen, very slender and unusual in that its capped length of 5⁷/32" is greater than its posted length of 5¹/8". This pen has an F/B nib.

My next 180 has an X/M nib and is chrome plated in the Classic Millerais pattern. This pen, 5⁷/32" capped, 5⁷/16" posted, is longer posted than capped; there is a slight flared contour to the barrel-end trim, and this trim snaps into the same inner-cap notches that secure the section when the pen is capped.

© 2008 Richard F. Binder

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